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A Really Cool Hat

I am Maria. Have fun with this messy adventure I call a blog.
Oct 21 '14

grunklestanbearpig:

Okay I’d like to talk about “The Hand That Rocks the Mabel” for a second because this is, I feel, one of the strongest episodes the show has to offer. It dismantles the “Nice Guy” cliche and seems to be strongly against the sexist notion that women are obligated to date men just because they are "nice."

Gideon is emotionally manipulative towards Mabel throughout the entire episode. One of the arguments victim-blamers like to use is, “Well, if the woman really didn’t want to be with him, she could’ve just said no!” What needs to be understood about emotional manipulators is that they purposely make it frustratingly difficult for their victims to say “no.” Guilt-trips, overwhelming kindness even when it’s unwanted, public proposals with an unexpected audience awaiting a happy ending—these are all tactics emotional manipulators use in order to get what they want without appearing to be the “bad guy”, making it easier to turn the blame around on the victim because hey, they were just being nice.

In this episode, Gideon refuses to accept Mabel’s rejections, even though she made it clear she didn’t want to date him. It wasn’t a matter of Gideon “not being able to take a hint” or Mabel “not being direct enough.” It was a matter of Gideon picking up on Mabel’s not-so-subtle hints and deliberately ignoring them. There’s this grossly glorified belief that there’s nothing wrong with constantly pursuing someone who has already expressed their disinterest in you.  That if you try to “win over” a woman hard enough even if she’s already rejected you, eventually she’ll “come around” and everything will work out. Gravity Falls said “fuck that” and had Mabel say “no.” Mabel told Gideon right away that she just wanted to be friends, and despite his persistance (which clearly made her uncomfortable), her desire to be nothing more than friends never faltered. Gideon’s pursuit of Mabel continued even in subsequent episodes (where it was revealed that he was still sending her love letters and wanted her to be his “queen”) and she rejected him every time.

It’s also worth noting that Gideon wasn’t villainized only after he started attacking Dipper; he was villainized from the very beginning. He wasn’t a good guy who turned bad after getting rejected so many times (which would wrongly place the blame of his evil behavior on Mabel)—he was a bad guy from the start because he constantly put Mabel in the position of having to reject him so many times.

This episode is important because Mabel never “came around.” Despite how “nice” his approach was, Gideon’s emotional manipulation didn’t win the girl, and this was depicted positively. That’s why I love this episode so much, because along with the awesome anti-“Nice Guy” overtone, it doesn’t romanticize men continuing to pursue women that have already rejected them.

On a final note, you know what else is fucking amazing about this episode? Gideon is a popular, beloved icon in Gravity Falls. He’s the town darling. Everyone loves Gideon. He’s not a back-alley creep or stereotypically anti-social, nerdy stalker. To the oblivious townsfolk of Gravity Falls, he’s an adorable, charismatic charmer, a miracle-worker, a hero. And he loses in the end. He uses his fame and adoring fans to guilt Mabel into continuing the relationship, even though he’s been told several times that she just wants to be friends, and he is portrayed as the bad guy all the way through.  

This is so fucking important to see in a children’s TV show, all of this is so important.

Oct 21 '14
itsstuckyinmyhead:

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 
Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 
Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

which is 8 fortes. We were shocked until,

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

This is my favorite post and always will be.

itsstuckyinmyhead:

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 

Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.

On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.

The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”

And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:

[stifled giggling]

[reeeeeeally deep breath]

[COLOSSAL FOGHORN NOISE]

The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.

In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”

FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 

Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

image

which is 8 fortes. We were shocked until,

image

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

This is my favorite post and always will be.

(Source: housecatincarnate)

Oct 21 '14
pugletto:

In which this pug, goes straight to pug hell.OTP.

pugletto:

In which this pug, goes straight to pug hell.

OTP.

Oct 21 '14

itsstuckyinmyhead:

Best Tumblr Responses 

Oct 21 '14

bucky-barnes-left-arm:

my-wayward-shawn:

popculturesavvyangel:

itsjustayoyo:

How does

image

go to

image

and

image

makes

image

while

image

goes to

image

aND THIS

image

FRIGGIN

image

bUT

image

AND

image

*cries violently* mY CHILDHOOD

image

TO

image

*SHAKES VIOLENTLY*

it gives us hope

CAN THEY REDO THIS SHOW WERE THEYRE ALL IN COLLEGE

I would pay money to see that

Oct 21 '14

itsstuckyinmyhead:

Ladies, gentlemen, and everything in between, I present to you THE HUNGER GAMES FANDOM!!!

Oct 21 '14

fonbella:

penandpage:

xerxes93:

sansastans:

Sansa Stark meme: 1/10 scenes

“Sansa!” The boyish shout rang across the yard; Joffrey had seen her. “Sansa, here!”

He calls me as if he were calling a dog, she thought.

what I really love about this scene is that Sansa is trying to emotionally manipulate Joffrey into going to the most dangerous area of the fight. Don’t tell me she’s just a passive player, she picks her battles where she can and this is her shining moment of defiance. 

Oct 21 '14

overlypolitebisexual:

have you ever considered that female celebrities claim not to be feminists/push a watered down version of feminism because it’s fucking unsafe for them to admit to anything else? emma watson gave the most watered down, man friendly speech on feminism i’ve ever seen in my life and men threatened to leak nudes of her and attack her so

Oct 21 '14
Oct 21 '14

verbose-vespertine:

cubebreaker:

Designer Goula Figeura’s Orwell day bed lets you easily shut yourself off from the outside world with its light and noise-cancelling curtains.

I have a MIGHTY NEED.